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Sonic 2: Ben Schwartz voices Sonic
The Invitation: Thomas Doherty

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Legend Of Zelda

Can a Legend of Zelda movie work?

Can a Legend of Zelda movie work?

The Living Daylights: Timothy Dalton as James Bond

The Living Daylights is still awesome, thirty-five years later

The Living Daylights is still awesome, thirty-five years later

Turning Red: Rosalie Chiang as Meilin

REVIEW: Turning Red is a bizarre take on puberty

REVIEW: Turning Red is a bizarre take on puberty

Batman Forever: Jim Carrey as The Riddler

Batman Forever was almost great

Batman Forever was almost great

The Princess Bride: Mandy Patinkin

The Princess Bride is still awesome, thirty-five years later

The Princess Bride is still awesome, thirty-five years later

Death on the Nile: Kenneth Branagh as Hercule Poirot

REVIEW: Death on the Nile is a stunner to behold

REVIEW: Death on the Nile is a stunner to behold

Batman 1989: Michael Keaton

Batman 89 is just Batman 66 during a goth phase

Batman 89 is just Batman 66 during a goth phase

The Matrix Resurrections Poster

REVIEW: The Matrix Resurrections fails to rise

REVIEW: The Matrix Resurrections fails to rise

Daredevil S03e07: Vincent D'Onofrio as Wilson Fisk

Spider-Man’s post-No Way Home future

Spider-Man’s post-No Way Home future

Lord of the Rings: Fellowship of the Ring: Elijah Wood as Frodo

The Fellowship of the Ring is still awesome, twenty years later

The Fellowship of the Ring is still awesome, twenty years later

Spider Man No Way Home: Tom Holland as Peter Parker

REVIEW: SPIDER-MAN: NO WAY HOME is the hero’s best film yet

REVIEW: SPIDER-MAN: NO WAY HOME is the hero’s best film yet

Harry Potter and the Philosophers Stone: Rupert Grint, Emma Watson and Daniel Radcliffe as Ron Weasley Hermione Granger and Harry Potter

Harry Potter and the Philosopher’s Stone is still awesome, twenty years later

Harry Potter and the Philosopher’s Stone is still awesome, twenty years later

Ghostbusters: Afterlife - Slimer

REVIEW: Ghostbusters: Afterlife and the acceptable use of nostalgia

REVIEW: Ghostbusters: Afterlife and the acceptable use of nostalgia