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    The Orville Review: Season 2 – Episode by episode

    By Matthew Martin
    | August 12, 2020
    TV Blogs

    Orville season 1 poster

    A couple of months ago I gave a chance to a Seth MacFarlane “Star Trek spoof” show called The Orville. After growing disaffected with nuTrek and the aggressive mediocrity of Discovery and Picard, I decided a show that basically parodied the 90’s-era Trek I love so much was better than a version of Star Trek that seems made by people who either don’t know Star Trek, don’t understand Star Trek, or actively dislike Star Trek.

    Say what you want about Seth MacFarlane, the man knows, understands, and genuinely loves Gene Roddenberry’s world. You can check out my overall thoughts on season one here…

    Bless you, Orville.

    In addition, last month I wrote an episode-by-episode breakdown and review of the first season…

    The Orville Review: Season 1 – Episode by episode

    When I first sat down to watch The Orville, I knew very little about it. The show was already through two seasons with a third in production (or, it was until COVID-19 happened), and the overall consensus among fans was “the first season is hit and miss but the second is where it grows the beard.”

    If you’re not familiar with the expression, to “grow the beard” is a phrase used to describe a show that finds its footing, figures out what it wants to be, and gains the confidence with itself to expand on its core ideas. Its origins are with Star Trek: The Next Generation, whose first season was a very messy one. A few standout episodes can be found, but there are also many (many) episodes that were poor in 1987; they’re laughable now. That said, by the show’s second season, the actors found a much better grasp of their characters (particularly Geordi, Data, and Worf) and the episodes had more confidence to them. Commander Riker in the turbulent season one was clean-shaven; TNG’s second year began with Riker sporting a full beard. Thus, the phrase signifies the evolution, maturity, and solidification of a TV show.

    What’s funny is that the second season of TNG really wasn’t the year when everything gelled. That came in year three, when a new writing staff came in, led by Michael Pillar and featuring newbies like Ronald D. Moore and Ira Stephen Behr.  Season two was a stronger one than the first, no question, but season three is when the show finally became what fans loved.

    The Orville beat TNG by a full year.

    The Orville S02e13 Mark Jackson J Lee Isaac John LaMarr

    This show improved by lightyears between its first and second seasons. Everything that worked in the first season is improved here, with one significant exception. Likewise, everything that fans complained about in season one…while it wasn’t eliminated, it was significantly toned down. And despite the easy comparisons to make to TNG, it’s another Star Trek show that I kept thinking about as I watched the second season.

    Deep Space Nine.

    Of course, the tone, the gravitas, and the epic scale aren’t there, by design, but in terms of the way the season’s stories were structured, it’s very much akin to the way DS9 was presented. The second season featured stand-alone episodes that still remembered an ongoing arc, the way DS9 throughout seasons 3-5 basically featured a new story every week, but still integrated the ongoing tensions with the Dominion, the Klingon War, guest-spots by Gul Dukat, etc. DS9 felt like it existed in a living world that grew as the years went on. It lacked the static nature of Star Trek Voyager, ironically, since Voyager was all about moving forward (from Delta to Alpha Quadrant), while DS9 took place on a fixed space station.

    The Orville season two features two huge storylines that are interwoven throughout; sometimes these storylines rise to be the A-plot of an episode and sometimes it’s a minor C-plot. Sometimes we only get a passing reference, just to remind us that yes, this issue is still out there and yes, it will be brought back up.

    The first of those plotlines concerns Isaac, the sentient robot from a planet of sentient robots. I’ll have more to say in the next few pages about the phenomenal two-part episode that focuses on this storyline, but for now, I’ll just point out that seeds are planted throughout the season leading up to that two-parter. It doesn’t just happen out of the blue, forcing too much storytime to be devoted to set-up. The work is done in the preceding episodes, allowing the payoff to be that much more exhilarating. That was the secret sauce to DS9; it laid so much groundwork in episodes over the years that, when the final couple seasons hit, it was just payoff after payoff after payoff. It’s also the reason why Voyager’s many “special event” two-parters often fell flat; everything was so bottled, the setup, execution, and payoff all happened in the span of two episodes.

    The Orville sets up its two big storylines so that when the cards are played, they’re played in a big way.

    The Orville S01e03 Chad L Coleman Peter Macon Klyden Bortus

    The other major plotline revolves around Bortus, who continues to be the comedic standout in the series. From the look of him, you’d think he was a “Worf knock-off,” and while there are similarities, the show does an excellent job exploring and developing the culture of the Moclan race, treating it first as a joke, then as a continued oddity, until finally, it becomes a major conflict that must be resolved. The subtle way the show does this is remarkable and there’s not another example like it I can think of in any show.

    The closest relation is the story of Worf and House Duras in TNG. That too spanned multiple episodes and seasons as Worf wrestled with the political and moral failings of his people and his quest to restore the honor of his father’s name. The difference is, we know the Klingons are important from moment-one in TNG. Any story featuring them and Worf is instantly the A-plot.

    The Orville set up the Moclan conflict throughout the first two seasons, mostly in the background, with only a few key episodes focused on it in a major way. By the time the big episode happens near the end of the season, you don’t even realize how invested you are in how it all plays out. It really is incredible writing, even with all the dick and fart jokes sprinkled about.

    The Orville S02e10 Jessica Szohr Talla Keyali

    By the end of season two, The Orville was not just a Star Trek spoof; it was a true sci-fi adventure serial, made with a love for the Trek shows that came before it while also blazing its own trail.

    Let’s dig a little deeper into each episode to see what made this season so special…

    Next Page
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    KkelieD
    Kkelie
    6 months ago

    I am still watching season 1. I’m glad you did this review though. I am not sold on the first season but I’ll keep watching because you say season 2 is better.

    0
    Reply
    DrewsiD
    Drewsi
    4 months ago
    Reply to  Kkelie

    Season 2 is better for sure. I’m excited for season 3. It seems like it is getting better as it goes on. I like the reviews too. I sometimes miss things and the reviews spell it out.

    0
    Reply
    tonyD
    tony
    6 months ago

    Most fans felt like this series got its footing in the second season, but had it not been interesting to watch, most people wouldn’t have watched it past the first season. I can’t wait for season 3.

    0
    Reply
    SilverD
    Silver
    6 months ago
    Reply to  tony

    How does it feel with Seth McFarlane in the cast? Does he come across as believable? I’ve been hesitant to watch because I see him as a comedian. Then again, Robin Williams managed to pull off both comedic and serious roles, so maybe I’ve misjudged.

    0
    Reply
    Shakiraaa
    Shakiraaa
    5 months ago
    Reply to  Silver

    I really felt the same way. I didn’t think about Robin Williams but you are right. He was amazing in whatever role he played.
    I’m stuck on the first season so far. I will probably keep watching.

    0
    Reply

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    __utmaThis cookie is set by Google Analytics and is used to distinguish users and sessions. The cookie is created when the JavaScript library executes and there are no existing __utma cookies. The cookie is updated every time data is sent to Google Analytics.
    __utmbThe cookie is set by Google Analytics. The cookie is used to determine new sessions/visits. The cookie is created when the JavaScript library executes and there are no existing __utma cookies. The cookie is updated every time data is sent to Google Analytics.
    __utmcThe cookie is set by Google Analytics and is deleted when the user closes the browser. The cookie is not used by ga.js. The cookie is used to enable interoperability with urchin.js which is an older version of Google analytics and used in conjunction with the __utmb cookie to determine new sessions/visits.
    __utmtThe cookie is set by Google Analytics and is used to throttle the request rate.
    __utmzThis cookie is set by Google analytics and is used to store the traffic source or campaign through which the visitor reached your site.
    _gatThis cookies is installed by Google Universal Analytics to throttle the request rate to limit the colllection of data on high traffic sites.
    YSCThis cookies is set by Youtube and is used to track the views of embedded videos.
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    langThis cookie is used to store the language preferences of a user to serve up content in that stored language the next time user visit the website.
    Other
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    cookielawinfo-checkbox-otherThis cookie is set by GDPR Cookie Consent plugin. The purpose of this cookie is to check whether or not the user has given the consent to the usage of cookies under the category ‘Other’.
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